Showing posts with label Steve Ihnat. Show all posts
Showing posts with label Steve Ihnat. Show all posts

Sunday, July 25, 2010

Kraft Suspense Theatre; Leviathan Five; Arthur Kennedy; Hobbes; Harold Stone; Andrew Duggan; Robert Webber; Frank Overton; Frank Maxwell

Click here for my previous episode review.

Season #1, Episode #14

Leviathan Five

Original Air Date - January 30, 1964. This was the 4th episode aired during 1964. Twenty-nine (29) total episodes were aired during 1964 - more than any other year and almost half of all KST episodes.

Setting/Time - (1) a courtroom in a modern (unnamed) American state and (2) a nearby underground research facility (via flashback).


Plot/Review/Discussion -

Four scientists and a security guard are trapped by an accidental explosion in an underground laboratory. (I do not remember how deeply underground they were, but I recall the elevator clearly indicating a descent of more than 1,000 feet.)

After the explosion, the scientists calculate how long their limited air will last and how long it will take rescuers to reach them and reopen the air vents to the surface. They determine that they cannot survive unless they kill one man quickly. They devise a method where one man will be selected by lottery either to commit suicide or kill one of the others at his own discretion.

The story takes place in a courtroom as the surviving four men are placed on trial for the murder of the fifth man. We do not see exactly how the man died or who killed him, but that is not the point of the trial. All of the survivors face trial, even though only one man presumably pulled the trigger.

Many of the KST episodes focus on a choice between right and wrong. This episode includes the same focus but with a different emphasis. In "Leviathan Five" the choice has already been made and the characters must fight over whether that choice was right or wrong. The survivors' very method of choosing one among them to die is the basis for the charges against all of them. There is no obvious bad guy, only a near impossible situation and plausible arguments on both sides of the issue.

The survivors defend the charges on the basis that they were cut off from society and had to create new rules. They argue that they were not subject to the laws of their (unnamed) state anymore. [The writers' avoidance of any reference to any particular state is a source of awkwardness.] The issue comes down to whether it is right for a small group to kill one of their members if it will save the rest and if they are cut off from civilization. In this episode, the question depends also on the fact that all five men voluntarily took part in the plan.

The story is not as scientific or philosophical as I am making it sound. Other reviewers (at IMDB.com) have focused on Hobbes or an article by a Harvard law professor, but one need not be familiar with these works in order to enjoy this episode. The dispute is presented thoroughly through crisp and simple dialogue - mainly the cross-examination between the prosecutor and the lead scientist.

The writers needed to separate the scientists and the guard from civilization in order for the plot to work. In doing so, the plot lost some credibility. They never made clear why the scientists needed to perform their duties so far underground in the first place. All the audience sees of the underground laboratory are books, papers, a wall control panel and some living quarters.

More interesting is the question of why they needed an armed guard so far underground (aside from the fact that the presence of the guard and his gun are important to the plot). Who was the guard expecting to shoot? What kind of trouble was he expecting 1,000 feet below ground? Is scientific work prone to erupt in violent arguments? If not each other. who was the guard protecting the scientists from? There already were guards and a checkpoint at the entrance to the facility. Notwithstanding the protection above, were they expecting prowlers to make the long journey down the shaft?

If the scientific work involved something so dangerous that it had to be kept more than 1,000 feet below the surface, was it really safe to risk gunplay down there? [This is never explained, but maybe that is what caused the explosion - a guard in another underground shaft at the same facility got trigger happy - with disastrous results.]

And speaking of safety, why did the scientists wear labcoats (aside from the television/movie stereotype of scientists wearing labcoats as some sort of uniform)? They did not seem to be doing anything that could get their clothes dirty (aside from dealing with the consequences of the explosion that trapped them all below ground with limited air). Maybe the facility owners would have been better advised to spend their safety money on preventing explosions instead of issuing useless labcoats.

And not to be overly picky, but the motorized golf cart that carried the scientists from the elevator down the long hallway (the guard would later reveal the exact distance) seemed to be pointless too. Come to think of it, they could have done without that entire hallway. There did not appear to be any other offices down there. Why not simply place the lab near the base of the elevator and avoid some very difficult tunnel construction (not to mention the expense of maintaining the golf cart)?

While others (for example Star Trek fanatics) might try to explain these points with reference to some implausible scenario (e.g. 'this is how laboratory work is done in a parallel universe'), I am content to suspend disbelief just enough to enjoy the plot despite these questions. In fact, a viewer is not likely to notice these things upon seeing the episode for the first time.

I noted also that the courtroom objections seemed to be handled correctly, especially the judge's treatment of the hearsay rule and the fifth amendment (although the main character's use of the fifth amendment would turn out to be improper and might result in contempt charges). This contrasts sharply with modern courtroom dramas.

This episode is one of three KST episodes in which William P. McGivern received a share of the writing credits. His writing focus was usually on crime and police work. I suspect he contributed some of the courtroom and legal knowledge to supplement "Leviathan's" philosophical conflict.

Cars

As far as classic cars are concerned this episode featured quantity over quality.

The opening to the flashback featured a shot of a full parking lot of early 1960's models. The only one you see actually moving is a 1962 Dodge Dart station wagon that carries the lead scientist from his home to this facility. And this brings to mind another question about plot awkwardness. The scientist testifies that he drove, even though he had a driver in the car with him. This is never explained, although it does place the "driver" in the same category as the armed guard. The scientist should have suspected trouble at this point, seeing that he had a driver that served no purpose. This fact should have tipped him off that the armed guard that met him at the shaft entrance would serve no purpose either - except to fill a plot hole that might involve shooting.

As the Dart wagon moves through the parking lot, we catch glimpses of two early-mid-1960's Ford Thunderbirds and a 1963 Mercury Monterey (among many others). Those were all definitely quality cars, but it is much less fun when you see them parked instead of moving along the highway.

Actors

Arthur Kennedy played the lead scientist, who provided the testimony during the trial. Kennedy acted for fifty years until his death in 1990. He received five Oscar nominations.

Harold Stone played another of the scientists. Stone played numerous roles on television and movies for almost 40 years, including guest roles on Big Valley (with fellow KST actor Steve Ihnat) and KST spinoff Run For Your Life. I remember him as gangster Frank Nitti in The St. Valentine's Day Massacre in 1967.

Robert Webber played the prosecutor. Webber was a well-known character actor for almost forty years until his death in 1989. This was the first of his two KST appearances. I remember him as a drug kingpin in Revenge of the Pink Panther (1978). He guest-starred in many of the most famous TV shows of his time.

Frank Maxwell played the armed guard in the first of his three KST appearances. He did character work for almost 50 years, including guest and regular appearances on network television. His roles usually were authority figures (police, military, etc.).

Andrew Duggan portrayed another of the scientists in the first of his two KST appearances. He is known for playing presidents, including Eisenhower and Johnson numerous times. He also played military leaders in modern settings and in westerns, such as Big Valley. He enjoyed many starring roles in television for nearly 40 years until his death in 1988.

Star Trek connection.

This episode's Star Trek actor is Frank Overton, who played the defense attorney. Overton starred in Star Trek's "This Side of Paradise" (directed by KST's Ralph Senensky). Overton played in one of the more well-known episodes of Twilight Zone, opposite KST's Gig Young. His IMDB "trivia" bio mentions his Star Trek appearance to the exclusion of the remainder of his 20 year career.

Sunday, July 11, 2010

The Name of the Game; Kraft Suspense Theatre; Jack Kelly; Nancy Kovack-Mehta; Pat Hingle; Grace Lee Whitney

Click here for the previous episode review.
Season #1, Episode # 10.

The Name of the Game.

Original Air Date - December 26, 1963

Setting/Time - The present in a Las Vegas casino/hotel.

Plot/Review/Discussion -

Jack Kelly plays a professional gambler, who, while knowledgeable about casino gambling, is broke. He is approached by a "high roller" at the casino with a proposition. The high roller is long on cash but short on knowledge. The high roller will bankroll Kelly for the purpose of making a big score overnight and splitting the proceeds.

The conflict centers on disputes between the two main characters over strategy and control. The action is often interrupted by romantic distractions involving each man. The plot does not simply involve beating the casino. The plot revolves around the battle between the two main characters as they gamble.

There is an element of surprise and mystery to this episode that is not revealed until near the end.

This episode gives the appearance of class to casino gambling. The men wore suits and the women were elegant, even while losing large amounts of money at the table (I cannot remember whether they played craps or roulette). This image, while unrealistic, makes for a nice contrast with actual players in casinos now popping up all over the country.

The KST casino was unrealistically small and simple in contrast to actual casinos or casinos featured in modern television or movies.

The plot is believable. When the surprise element is introduced, it is apparent to the viewer that it was present all along. All elements of the story are brought together in the conclusion and resolution.

A conflict over control of casino strategy (coupled with romantic side stories) may seem weak, but it works in this case. Not every situation need be life-or-death to generate audience interest. Whether they gamble or not, an audience might more easily identify with the two gamblers' conflict than with much of what appears on television today.

Miscellaneous - This is the first of two KST episodes to focus on casino gambling.

Cars - Vehicles played a small role in this episode. I believe a Lincoln Continental was visible in the casino parking lot from the manager's office window toward the end of the episode. [I will update this portion if RTV reruns this episode.]

Actors -

Jack Kelly plays the professional gambler. Kelly made the first of his three KST appearances in this episode. Kelly began acting at age 12 and continued for more than 50 years. Kelly previously played in Maverick as one of the title characters. Kelly also played a major role in Forbidden Planet and played the lead in one episode of Kraft Mystery Theatre with future KST actor Broderick Crawford.

Pat Hingle plays the high roller that bankrolled Kelly's character and spent most of the episode fighting him. Hingle's career lasted more than 50 years (until his recent death) and included such series as Twilight Zone, KST spinoff Run For Your Life, Magnum, Murder She Wrote, the 2001 Christian movie Road to Redemption and many others.

Sydney Pollack directed this episode (and two later KST episodes - "Watchman" and "Last Clear Chance").

Star Trek Connection -

Even though the plot was not as strong as some earlier episodes (episodes ## 3, 4, 5 and 6), this one is a favorite of mine largely because of the Star Trek connection. As far as I know, only season #2's "Eddie Carew" features more Star Trek connections than "Name of the Game." [My knowledge is incomplete, as I have not seen about 12 episodes and IMDB.com is unreliable.] This episode and "Eddie Carew" each featured 4 Star Trek actors, but "Eddie Carew" also featured a Star Trek director. The Trek actors in "Eddie Carew" also played more important roles, while two of the Star Trek actors in "Name of the Game" were less important.

Nancy Kovack (now Nancy Mehta) played the romantic interest for Kelly's character in "Name of the Game." She would later play a pivotal role in Star Trek's "Private Little War." Her character in KST would be almost unrecognizable to Trek fans, as it is so different from Kovack's Trek character. Her KST character is one of the most enjoyable parts of "Name of the Game."

Kovack enjoyed a 25 year career in radio and in Hollywood and elsewhere, winning eight beauty pageants and guest starring in such shows as Bewitched, Mannix and the Alfred Hitchcock Hour. Numerous of her episodes are available on Hulu.com.

She became a historical footnote more than a decade ago, as she was on the periphery of the Bill Clinton scandals of the 1990's. She was the victim of an embezzlement scheme of Susan McDougal, who also served jail time in connection with Clinton's Whitewater scandal. McDougal escaped conviction on charges related to Kovack-Mehta when McDougal's attorney, future Michael Jackson and Scott Peterson defender Mark Geragos, denounced the prosecution as part of a conspiracy to harm Bill Clinton.

Barry Atwater plays the Casino manager. Atwater later played Spock's Vulcan hero Surak on "The Savage Curtain." Atwater and Jack Kelly each have the distinction of having played opposite Robby the Robot; - Kelly in Forbidden Planet and Atwater in an episode of Thin Man (with Peter Lawford). Atwater acted until his death in 1978 on such shows as Gunsmoke, Mission Impossible and Twilight Zone. In every role in which I have seen him, his character is very similar to that of Surak.

Steve Ihnat plays a brief, but important, role as the pit boss. The role is important because the pit boss' (and later Atwater's) approval of certain large bets makes those bets more dramatic. Ihnat later played the main guest star in Star Trek's "Whom Gods Destroy." He died at age 38 of a heart attack in 1972. He played on numerous TV episodes, usually as a villain, including a guest role on Big Valley opposite KST guest star Harold Stone.

The most interesting Trek connection is Grace Lee Whitney, who plays a gambler that briefly wins before losing it all at one of the tables. This role is uncredited at IMBD.com and unmentioned in Whitney's autobiography. (I know of Whitney's role only because I noticed her name in the closing credits). Whitney's KST character is not similar in appearance or temperament to Yeoman Rand.

That KST remains so unknown at this time is so unfortunate because the Trek fans would surely enjoy seeing the Star Trek actors play in other roles, especially when there are so many in one episode. Few fans are as familiar with their favorite series as Trekkies are with every detail of Star Trek. I am sure they would appreciate seeing some of these details rearranged and in a new light. Many Star Trek fans are unaccustomed to seeing most of the television shows of the 1960's. As I commented weeks ago:
Those of us that grew up in the 1970's watching reruns of classic Star Trek became accustomed to seeing each of the guest stars solely in his Star Trek role. It is surprising now for us to see these actors in other roles. Many of these actors (the guest stars as well) have become well known more for their Star Trek role than for anything else. Those guest stars that survive make frequent appearances at Star Trek conventions. Many of their other roles are forgotten, even though the Star Trek appearance was often only one of many, many roles in their long careers.

"Name of the Game" was one of the first KST episodes I have seen. This episode helped get me hooked on KST, as picking out the Star Trek connection(s) added another enjoyable element to each episode.
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