Showing posts with label Riviera. Show all posts
Showing posts with label Riviera. Show all posts

Tuesday, September 21, 2010

Knight's Gambit; Kraft Suspense Theatre; Eleanor Parker; Roger Smith; Mountain Greenery; William Faulkner

Click here for the previous episode review.

Season #1, Episode #20.

Knight's Gambit

Original Air Date - March 26, 1964

Setting/Time - The Spanish Riviera in the present. [I realize there may not be an actual place known as the "Spanish Riviera," but this episode takes place on the Spanish Mediteranean coast and bears certain specific similarities to KST's two other "Riviera" episodes (see below)].  [Update - April 28, 2013 - Knight's Gambit takes place on a Spanish island just off the Mediterranean coast.]

Plot/Review/Discussion -

This is the second of three KST episodes that take place on the Riviera. The characters are wealthy and do not seem to work for a living. They have plenty of spare time for the drama that unfolds. Except for this episode's location in Spain instead of Italy, the action could have taken place in the same town as "The End of the World, Baby." The atmosphere (but not the plot) was the same.

The phrase "Knight's Gambit" refers to a chess move. The reference is appropriate for this episode. The plot is not nearly as complicated as the chess reference would imply.

"Knight's Gambit" is also the name of an old collection of William Faulkner mystery stories. As Faulkner's Amazon.com reviewer noted:
The mystery at the heart of each story is not found in actions, though some of the plots are puzzling, as much as in the characters' hearts and souls.

This description is appropriate to this episode. The best KST episodes, in general, focus more on the conflicts within the main character than the external action. The Amazon reviewer continues:
The tales in this collection range from the haunting "Tomorrow," which reminds us that no one ever knows where "love or lightning either will strike," to the title selection, in which Stevens (the Knight) captures his Queen after a twenty years' quest spent translating the Old Testament.

There was no twenty year quest or translation of the Old Testament in KST's episode, but this description gives some hints as to what is in store for the KST viewer.

In KST's "Knight's Gambit," a wealthy playboy arrives on the Riviera flying his own private airplane. He begins romancing the secretary of an American diplomat [Blaine], but he turns out to have ulterior motives. I am going to be vague about the story partially to avoid spoiling the plot (in particular, the playboy's ulterior motives) and partially because I have not seen this episode in well over a year.

The secretary suffers from her own internal conflicts. She resists the playboy's advances because she feels guilt about some crime of hers in the past (and about which she is reluctant to speak). As I recall, she has resolved herself to spinsterism working in her boss' mansion in order to escape her own past. [Update - April 28, 2013. The main conflict is the struggle of the playboy to make the secretary come to terms with her past so that he can pursue his own agenda.  There are other conflicts that this conflict sets in motion.]  The secretary's part of the story is the most interesting aspect of the plot and I look forward to seeing this episode again for this reason.



The writers do a good job of tying in the diplomat, the playboy's ulterior motive and the secretary's past as the mystery unravels.

At one point, the playboy plays (and sings) a small portion of "Mountain Greenery" on the diplomat's piano. This performance was not presented as a separate musical number such as you would see on Broadway. It flowed nicely with the dialogue in that scene and appeared as a natural part of the plot progression. "Mountain Greenery" is an old song dating back to the 1920's and, together with the Riviera atmosphere and the performances by the actors, it lends class to this episode. (Only by looking up some of the lyrics was I able to discover what the character was singing and playing.)

Actors

Eleanor Parker played the secretary. She is most well-known as the "Baroness" in The Sound of Music. She played opposite Frank Sinatra in The Man with the Golden Arm. She received 3 Oscar nominations in her 50 year career.

The playboy was played by Roger Smith, star of 77 Sunset Strip and Mr. Roberts, although he is best known for being married to Ann Margret.

Cars - I cannot remember the vehicles in particular, but I seem to recall the playboy driving a red sports car (of course) and the secretary driving a large blue American car (from the late 1950's). This is another reason I want to see this episode again so I can test the accuracy of my memory. [Update - April 28, 2013 - the playboy drives a dark sports car.  The Secretary drives a light blue 1964 Ford Thunderbird (probably the same one from episode 1.17. One can also briefly glimpse a late 1950's - early 1960'a Citroen DS at several points in the story.  The use of the Citroen at several points is relevant to the story. The diplomat - and others - ride in a 1964 Chrysler Imperial. At the very end, one of the characters rides off in a 1961 Cadillac]





[Update - April 28, 2013 - The episode ends in a car chase that detracts from the main conflict, although it is visually appealing.]

Wednesday, June 9, 2010

The End of the World, Baby; Kraft Suspense Theatre, Peter Lorre, Gig Young, Katherine Crawford, Nina Foch

Click here for the previous review.

Season #1, Episode #3

The End of the World, Baby

Original air date - October 24, 1963

Setting/time - The Italian Riviera in the present. This episode is one of three (in addition to Rapture at Two-Forty and Knight's Gambit) that took place on the Mediterranean Riviera. All of these Riviera episodes featured wealthy people with time on their hands and either living in elegant housing or driving expensive cars (or both).

Plot/Review/Discussion -

Katherine Crawford stars as the daughter of an independently wealthy American woman (Nina Foch) who is looking to leave her husband (Crawford's father) for a playboy sculptor (Gig Young). The plot gets complicated when Crawford's character falls in love with the same sculptor without her mother's knowledge. You will never be sure whether Crawford is acting in her own best interest or simply to protect her father.

What makes this plot enjoyable is that it is not simply a good v. evil story. It is not simply a case of the hero/heroine escaping danger. The plot is strong because the characters are forced to make decisions. The suspense occurs where the audience does not know which choice the character will make and what the consequences will be.

The plot is strengthened as we explore the art of Young's character and the immaturity of Crawford's character. Crawford's character struggles as she is pulled from all directions - (1) her loyalty to her father, (2) her new feelings for the sculptor and (3) her need for maternal comfort (despite keeping secrets from her mother) as the situation spins out of control.

Much of the story takes place in a centuries old Italian castle known as Fini del Mondo ("The End of the World.")

Actors

Katherine Crawford makes her first of three KST appearances with this episode. She is the daughter of Roy Huggins, a writer and producer of several KST episodes (although not this one). She appeared in numerous popular shows from the early 1960's through the mid-1970's. The photo below is from The Fugitive.

Katherine Crawford




Gig Young starred in TV and movies for nearly forty years, including such examples as an uncredited appearance in 1941's Sergeant York and one of the more famous episodes of Twilight Zone. He won his only Oscar for his role in 1969's They Shoot Horses, Don't They. He apparently committed a murder-suicide with his wife of 3 weeks in 1978.

Nina Foch starred in TV and movies for nearly 65 years. Her most famous role was probably 1960's Spartacus, in which she starred with, inter alia, future KST star John Gavin.

Peter Lorre died nearly six months after this episode aired.