The Kamchatka Incident; Kraft Suspense Theater; John Forsythe; Roger Perry; Leslie Parrish; Malachi Throne

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Season #2, Episode #5

The Kamchatka Incident

Original Air Date:  November 12, 1964 

Setting/Time: The present (or some time in "the past few years") in Tokyo and the North Pacific Ocean.

Plot/Review/Discussion:

Major Livingston is the pilot of an American military transport that is scheduled to fly from Tokyo to the American West Coast during a typhoon. The flight is complicated by the presence of a flight attendant with whom he has had an affair and a Russian defector among the passengers.  Further complicating the flight are mechanical defects that become apparent after the transport plane is airborne.

The episode begins with a narrative voice-over:

For the past few years, a report has circulated in the Orient about certain events, which occurred while a typhoon named Hazel was spinning itself in the far reaches of the Pacific. The report was originally classified 'Confidential', but word has continued to spread, and more and more people have heard and passed on the story that has come to be known as The Kamchatka Incident.

There are many conflicts in this episode, the biggest of which plays out between the American flight crew and the Russian military plane that attempts to intercept them in midair when they stray into Russian air space.  As Major Livingston and his co-pilot ponder their options for dealing with the Russians just outside their cockpit window, they are informed of the Russian defector among the passengers. The defector will almost certainly be killed if the American plane is captured. This reality creates conflict between the flight crew and the defector's handler from the U.S. government (also a passenger), who demands that the crew refuse to surrender. 

The Russian conflict has pushed to the background the drama between Livinston and the flight attendant.  The two had previously suffered tense moments at the airport and during the early part of the flight when discussing the affair and its end.  
The typhoon provides the added conlfict of "man v. nature." Even though they are beyond the storm's reach, the storm has forced them to fly an unusual flight path, which path, coupled with the plane's mechanical troubles, led them into the outer reaches of Russian air space. 

The North Pacific, Japan and the Kamchatka Peninsula

Livingston and his co-pilot must decide whether to surrender or try to flee in their damaged plane, while considering the safety of all of their passengers, including the Russian defector. The resolution is primarily action based.  The romantic angle does not contribute to the resolution, although the resolution of the primary conflict helps resolve the romantic plot.

John Forsythe as Major Livingston

It is apparent from the conversation between Livingston and the attendant that the affair was an adulterous one, even though the writing subtly avoids making that point clear (as best I recall).

The Kamchatka Peninsula is controlled by Russia and has been on the front lines of military and political conflict over many decades, especially involving Russia and Japan.  Nineteen years after this episode aired, the Kamchatka Peninsula was near the location where Russian fighter planes shot down Korean Airlines flight 007 in September 1983.  This episode also predated Pueblo by four years and Mayaguez by 11 years. Instead of copying this episode from modern headlines, this episode predated those headlines.

In 1985, Robert KcKinney wrote a novel with the same name as this episode, based loosely on KAL 007 (with substantial changes).  The online descriptions of this book describe very different plots than this KST episode.  It is possible that McKinney had never even seen this episode.

I was pleased by the realism of this episode.  The writers did not complicate the plot with implausible twists and complicated mysteries, such as you might see in modern political thrillers.  The writers presented a basic story with the Russians as the "bad guys."  They did not see the need to create a new "bad guy" that the Americans and Russians would team up to defeat, such as the shadowy groups fighting James Bond or those that appear in such movies as Sum of All Fears.

The Russians in this KST episode appear only on the periphery of the action.  They are the largely unseen enemy that cannot be ignored.  The primary conflict appears more ominous that way as the flight crew and passengers engage in their own conflicts attempting to deal with the problem. 

This episode has much in common with the old western series, Wagon Train, in which traveling groups must contend with various dangers while traveling great distances in the western desert. Wagon Train featured characters with stories in their past that are explored and revealed over the course of the episode while the convoy deals with their primary danger and their isolation.  This type of story idea is well represented here.  (Episode 1.19 was also similar to Wagon Train, without being overly similar to this episode.)

Actors

John Forsythe played Major Livingston in the second of his two roles in KST.

Frank Maxwell played the Russian defector's American handler in the second of his three KST roles. 

Star Trek connection

Roger Perry played the co-pilot.  Two years later, he would play Captain Christopher on Star Trek's "Tomorrow is Yesterday."  Perry's career has spanned more than 50 years, with his most recent credit coming in 2010.  Perry starred in two series that lasted only one season.  He has played guest roles on many famous series, including Ironside, Barnaby Jones and Falcon Crest.

Leslie Parrish played the flight attendant with the not-completely-defined romantic link to Major Livingston.  She played Lt. Palamas in Star Trek's "Who Mourns for Adonais?"  Her careen spanned more than 20 years, beginning with uncredited roles in movies in the mid-1950's and continuing with guest roles on shows such as Perry Mason, Big Valley, Adam-12 and Police Story. 

Malachi Throne played the Russian defector in the third of his three KST appearances.  Little more than two weeks after this episode aired, Throne and the cast of Star Trek would begin filming the pilot episode ("The Cage") of that series.  A more detailed summary of his career appears for episode 1.07.  Throne died at age 85 on March 13, 2013.  Throne is the third actor from "The Cage" to appear in the second season, and one of eight different actors from "The Cage" to appear in KST over both seasons.

In one scene, where the defector came to the cockpit to confer with Major Livingston, the only people in the scene were the three Star Trek actors and John Forsythe.

One of the writers for this episode is Paul Schneider, who wrote episodes "The Squire of Gothos" and "Balance of Terror" from Star Trek, along with "The Terratin Incident" from Star Trek's animated series.

Cars.

The only vehicles in this episode were the American transport plane and the Russian fighter plane.  I do not know what type of airplanes the producers used.

Kraft Suspense Theatre; Doesn't Anyone Know Who I Am?; Cornel Wilde; Kathryn Crosby; Malachi Throne, Willoughby

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Season 1, Episode #17

Doesn't Anyone Know Who I Am?

Original Air Date - February 27, 1964

Setting/Time - Most likely the present [update - April 26, 2013 - the present in [1] a suburb of Seattle and [2] a small northwestern town some hours away].

Plot/Review/Discussion

I have not seen this episode, as I do not believe RTV has run it over the past two years. IMDB.com includes the following plot description:

An overly stressed, financially strapped, high powered businessman goes on a sales trip and wakes up suffering from amnesia after being assaulted. He settles in a small town, meets a nice girl and gets a simple satisfying job. Then his memory returns. He goes back to his old life and finds unhappiness. What will he do?

This description makes me want to see this episode. It appears from the description that the main character will face a choice. The best episodes feature difficult choices between right and wrong.

The description makes the episode sound like it could qualify as an episode of Twilight Zone or Hitchcock Presents. But I have higher expectations for "Doesn't Anyone Know Who I Am?" Hitchcock episodes always suffered from self-congratulatory cleverness, which reduced the realism of the program. Twilight Zone would have used some unexplained supernatural event to create the predicament that faces the main character. While I am all in favor of science fiction being used to create dramatic situations, KST plots result from naturally occurring scenarios that are resolved through difficult choices of the characters instead of cleverness or supernatural intervention. We can identify with KST episodes more easily as a result.

I hope only that this episode lives up to its description.

[Update – April 26, 2013 -  I have now seen this episode (twice). I can say that it does live up to its description.

This episode is one that makes the viewer envy the main character (despite all that he went through). He was able to disappear into a small town, leave his troubles behind him, and start a whole new life with a new wife and a less stressful job. All of the responsibilities of the old life were gone – so long as he preferred it that way.

Cornel Wilde plays Eric Blaine/George Press, the executive that finds a new life in a small town with a new girlfriend and a new job after being assaulted and suffering amnesia. The main conflict in this story is internal to Eric/George. The plot is basically as described at IMDB.com (quoted above). Eric/George spends the episode fighting against himself. After the amnesia takes away his past, he struggles to remember his old life, but he refuses to take steps that would help him learn the truth. Specifically, he refuses to go to the police and access their records (which pale in comparison to modern databases, but which are considerable nonetheless). He visits a psychiatrist (Malachi Throne), but resists Throne’s advice and seems impatient with Throne’s techniques for accessing old memories.

By visiting a local doctor, Blaine/Press discovers that he has very high blood pressure – to the point of being uninsurable. He later learns that his blood pressure has become perfectly normal after he has become acclimated to his new life. There are hints that his refusal to go to the police may result from fear of what he may find out about his real past (and maybe fear of whatever caused him to develop high blood pressure).

While amnesia has been a common theme of television shows in the past, amnesia is only the tool for the writers to create a conflict for the main character in this episode. When Eric/George later learns the truth, he must choose between his two lives – thus continuing the George v. Eric conflict. The amnesia makes it possible for the character to face such a choice. KST is best when the characters face difficult choices instead of mere physical danger or other such confrontation. Without the amnesia, Eric’s/George’s choice would not have been possible unless he had willfully abandoned his family and committed adultery. Amnesia thus helped the writers maintain audience support for Eric/George while letting the writers open up this whole new world for him.

This episode reminds me of the Twilight Zone episode entitled, “A Stop at Willoughby,” in which an executive dreams of a fictional, peaceful small town where he can get away from the people and problems that make his life miserable. In this KST episode, Eric/George does more than dream and Willoughby is a real place. While the “Willoughby” episode was satisfying and complete, it left the audience wanting more. This KST episode takes the next step and allows the audience to experience life in “Willoughby.” Where the audience would be sympathetic to the executive in “Willoughby,” the audience might be envious of the executive in this KST episode.

This episode has also been compared to a 1949 movie named Impact, which I have not seen.

The title has two meanings. Not only does George/Eric need to know his real name, he needs to know who he really is. Even after regaining his memory (and thus his name, address, executive position, etc.) he still must discover his true identity and where he belongs in this world. A name and other matters of record are not the same as what establishes and creates a true identity.  Eric/George must learn what makes him truly happy, productive and healthy.  The answer to those questions will determine which life he will choose for himself.

Eric’s/George’s situation is truly enviable. Whichever life he chooses, he has a ready-made job, wife, friends, family, etc. waiting for him. Even if he chooses a new life, he does not need to spend years of uncertainty before he makes a stable, comfortable life for himself. That level of security exists no matter which life he chooses.  Both lives are waiting for him. He need only choose where he truly belongs and discover who he truly is.]

Actors

Cornel Wilde appears to play the main character. [Update - April 26, 2013 - Wilde, indeed, plays the main character - Eric Blaine/George Press.]  He acted in TV and movies for over 50 years, including guest roles in several well-known series in the 1980's.

Kathryn Grant (AKA Kathryn Crosby) played a major role also - [update - April 26, 2013 - Crosby played the new girlfriend in the small town where Eric/George ended up after the assault that caused the amnesia]. She is the widow of Bing Crosby. Her acting since the late 1970's was limited to the stage until 2010. A new movie in which she appears is now in post-production.

Martha Hyer plays in the first of her two KST roles. [Update - April 26, 2013 - Hyer plays Eric's/George's original wife in the suburb of Seattle.  She is a gossip who brags about her husband's career and the status it brings.  She is bitter, petty and vicious when her status is in jeopardy.]

Charles Alvin Bell makes the second of his two KST appearances in a small role.

[Update - April 27, 2013 - Paul Newlan played Doc Pierson (see the film excerpt above). Newlan's 40 year included many movies and television roles, including guest roles on Twilight Zone and KST spinoff Run For Your Life.  His longest running role was as a police captain on M Squad  in the late 50's and 1960.

Barney Phillips played a co-worker of Eric/George.  He played many, many roles in movies and television from the late 1930's until his death in 1982, including regular guest work on Ozzie and Harriet, Have Gun Will Travel and many others.  What I consider his most famous part (and the one for which he is usually instantly recognizable) is his role as a three-eyed lunch counter attendant on Twilight Zone.]

Cars

[Update - April 26, 2013 - Before he lost his memory, Eric Blaine drove a white Lincoln from sometime between 1962 and 1964.  An identical car can be seen parked on the street of the small town later in the show, but it was not intended to be the same car. Eric/George sees what appears to be a black Lincoln from the same era later in the episode, but it is difficult to tell, as viewers do not get a good look at most of the cars in this episode.  One also sees a blue 1964 Ford Thunderbird parked on the street near the white Lincoln. 

One car that is seen clearly is (probably) a 1953 Chevy driven by Crosby's character.  The difficulty in identification comes from damage and wear to the car's exterior - especially the front grill. The following excerpts and photos are from this episode.]

1953 Chevy and 1964 Thunderbird

Crosby and Wilde in the 1953 Chevy

Star Trek Connection

Malachi Throne is this episode's Star Trek connection. Throne made the second of his three KST appearances here. Throne's Star Trek role is more prominent and historic than that of most guest stars. As I wrote in my review of The Machine That Played God:

He portrayed the voice of Star Trek's first villain in the original pilot ["The Cage"]. His voice was dubbed out before that episode aired, but Throne played a more pivotal role in the final product, which became Star Trek's only two-parter.

Kraft Suspense Theatre; The Machine That Played God; lie detector tests; Anne Francis; William Boyett; Malachi Throne

Season #1; Episode #7

The Machine That Played God

Original Air Date - December 5, 1963 - This was the first episode after a three week hiatus since One Step Down on November 14, 1963.



Setting/Time - A modern city.



Plot/Review/Discussion -

A woman and her husband are involved in a car wreck early in the episode. The husband dies. The police suspect that the wife caused the accident on purpose. I forget the alleged motive - whether it was to kill the husband or herself (or both). That aspect is not of primary importance in this review.

The interesting point is the progression of the plot. The woman gradually becomes convinced that the police are right. Most of the KST episodes are about an ultimate choice between right and wrong. In this case, a bad choice is allegedly made early in the episode, for which the main character tries to take responsibility.

The main character becomes convinced that she is guilty solely on the basis of repeated lie detector tests that she takes that indicate her guilt. The episode is an indictment of the concept of the lie detector test. The woman ultimately learns the real truth in court during her trial.

Criminal law underwent drastic changes in the 1950's and 1960's. There may have been a political agenda against lie detectors at that time that fueled the writing in this episode. Later KST episodes would campaign against the death penalty.

I found the plot to be weaker than the previous few episodes. The focus on the main character's internal struggle was compelling, but somewhat unrealistic. I did not find it believable that a woman could be convinced that she intended to wreck a car simply because she failed lie detector tests. I think the anti-lie detector test agenda colored the plot and made it less believable.

---------- update 9-18-10 ----------- (plot spoiler warnings)

After seeing this episode again, it appears that the criminal trial was a convoluted scenario by which the woman's defense attorney convinced her client that she was not guilty. She had confessed, thus resulting in her prosecution. During the trial, the defense attorney introduced evidence of the lie detector (and its flaws) to convince her that the lie detector was wrong about her own guilt. (Ordinarily, lie detector evidence would be inadmissible.) Thus the criminal trial placed the lie detector on trial instead of the woman. Once the woman could no longer assert her own guilt, the prosecution dropped its case as if the woman was the only judge of her own guilt. I will not begin to deconstruct the legal errors inherent in this scenario. I will say only that this approach is a more extreme example of KST plots where the main character's adversary is himself/herself instead of a third party.

Cars - I am almost certain that the main character drove a 62-64 Lincoln in the initial accident.


Actors -

Anne Francis played the main character. She previously played a prominent role in The Forbidden Planet, with future KST actors Leslie Nielsen and others. She remained active on television and in movies from the late 1940's through recent years.

William Boyett played a detective in the first of his two KST roles - the second being "The Jack is High" during season #2. He played many, many policemen during his nearly 50 year Hollywood career, including 2 guest appearances on KST-spinoff Run For Your Life. He had an uncredited role in The Forbidden Planet. His most long-running roles were as policemen on two of the most famous cop shows of all time, Highway Patrol (starring future KST star Broderick Crawford) and Adam-12 (with KST star Martin Milner). He also guest starred on Star Trek:TNG, but I don't count that toward the Star Trek Connection.

----update--- Charles Alvin Bell played in the first of his two KST episodes.

Star Trek Connection -

The Star Trek Connection for this episode is Malachi Throne, who plays the prosecutor. Throne makes the first of his three appearances in KST in this episode. He portrayed the voice of Star Trek's first villain in the original pilot. His voice was dubbed out before that episode aired, but Throne played a more pivotal role in the final product, which became Star Trek's only two-parter. He also played an important role in the pilot for Big Valley. He was a regular on It Takes a Thief and has continued to work in recent years as part of a 50 year career.

The Comparative Legacies of Kraft Suspense Theatre and Star Trek

Star Trek was a low rated show that teetered on the brink of cancellation for its entire first run on television. Kraft Suspense Theatre attracted the best actors of its (or any) era. Yet Star Trek, its performers and its trivia are discussed and dissected far out of proportion to its original success. KST is virtually forgotten.

I wrote in my initial post that Kraft Suspense Theatre has been largely ignored by fans and biographers of 1960's television and the actors from that era:

Stars and their biographers are quick to point out their roles on other shows of that era, including Star Trek, Twilight Zone, Outer Limits, Hitchcock, etc. But they usually see no benefit in touting their performance on Suspense Theatre.

In response, director Ralph Senensky has written to me that he often forgets Kraft Suspense Theatre when he is asked what shows he directed. Senensky directed numerous popular television shows before during and after the 1960's.

I suspect that many of the biographies that I have seen lack reference to KST because the biographers do not appreciate the significance of the show. Because KST has not been in syndication very much, it is not considered significant among biographers and historians.

Star Trek received poor ratings during its entire first run. Many other shows of that era did better in the ratings. Yet actors that played roles on Star Trek emphasize their Star Trek roles to the exclusion of shows that were more popular during the 1960's. Star Trek guest stars still appear at Star Trek conventions across the country, while there are no such conventions for KST or many other popular shows of the 1960's.

So not only is KST largely ignored, the original Star Trek's legacy exceeds its original success and reflects mainly its post-run popularity.

Grace Lee Whitney devoted most of her book to Star Trek (plus some small roles in other shows), while not mentioning her role on KST (IMDB.com still does not mention her role in KST, even though she had a speaking role).



Ralph Senensky's blog is named "Ralph's Trek," even though he directed more episodes of some other shows than he directed of Star Trek. Senensky's Wikipedia entry does not mention KST (or Hart to Hart or Barnaby Jones), but mentions Star Trek.

Lloyd Bridges' Wikipedia entry makes no mention of KST, yet includes a reference to Star Trek merely because Bridges turned down a role on that show.

Joseph Pevney's Wikipedia entry does not mention KST. It does mention Star Trek and also lists many of the individual Star Trek episodes (while failing to mention individual episodes for any other series).

Actor Ian Wolfe worked for almost 60 years, including some prominent roles with famous actors. His Wikipedia entry does not mention KST, even in the long catalogue of credits at the bottom. The narrative part of the entry does list both of his Star Trek episodes by name (and little else).

Perhaps no actor played a more prominent role on Kraft Suspense Theatre than Jack Kelly. Kelly's Wikipedia entry does not mention KST, but mentions his less prominent role in Kraft Mystery Theatre.

Warren Stevens played in three KST episodes, none of which were mentioned on his Wikipedia page. That page did mention his one Star Trek role.

Malachi Throne played in three KST episodes, none of which were mentioned on his Wikipedia page. But the same Wikipedia entry discussed his one Star Trek role at length.

Actress Katherine Crawford starred prominently in three KST episodes (and had family connections to the show and to Universal Studios). She had no connection with Star Trek. Not surprisingly, she has no Wikipedia entry. Had she guest starred even once on Star Trek, it is safe to say that by now she would have appeared at numerous Star Trek conventions and would enjoy her own cult following.

Of course, the Wikipedia entries and IMDB bios (as opposed to the IMDB catalogues) for Mickey Rooney, Milton Berle, Peter Lorre and other KST guest stars make no mention of KST.

There are many other examples.

This legacy helps define one purpose of this blog. The plots are the most important part of each review, but cataloging the well-known actors of each episode serves its own purpose. The list of famous actors adds gravitas to KST. The demand for KST would be much greater if it was more widely known that KST featured less prominent performances of the all-time greats. These considerations may hasten the day of a DVD release or KST availability on hulu.com.